Academic Article
Jewell, Alyssa A. (2023) “New Possibilities for the ESL Classroom: Toward an Appreciation of Creative Writing,” Language Arts Journal of Michigan: Vol. 38: Iss. 2, Article 11.
Available at: https://doi.org/10.9707/2168-149X.2392
Poetry Publications January 2016-Present
Blue Earth Review: “On Flying to Minneapolis”
The Boiler: “Frida Kahlo Departs from Her Muse,” “A Crossing at the Rio Grande”
Borderlands: “After the Medium”
Cactus Heart: “On the Aborigines Valuing Memory Over Things”
Chautauqua: “Meantime,” “Reinvention”
Cider Press Review: “After Marina Abramovic’s The Kitchen V: Carrying the Milk,” “Oil and Pietá”
Colorado Review: “The Grand” (All the shouting in that river…)
The Columbia Review: “My Mouth Has Tasted Like Salt for Weeks”
Crab Creek Review: “NKM, 1987”
Cumberland River Review: “After the Sand Paintings”
Denver Quarterly Review: “Fast August”
Dunes Review: “I Dream of Two Old Women,” “Cleft”
Fifth Wednesday: “Advice Should You Return”
The Florida Review: “On First Meeting”
Four Chambers: “Monster of the Deep and the Grand Rapids Skyline at Night”
Grist: “Frida Kahlo Takes a Muse in Detroit” (digital edition)
Harpur Palate: “For Mama Mona Belle of Rhyolite, Nevada,” “Her Detroit Muse Speaks,” “For G”
Hayden’s Ferry Review: “Flight”
Iron Horse Literary Review: “The Moon’s Face Grows Slighter”
The Journal: “Spectral Evidence”
JuxtaProse: “Georgia O’Keeffe Leaves New York for Taos, New Mexico,” “I Have Traveled Without You Many Miles as a Ghost Mourning a Ghost”
Lake Effect: “Before the World Ends, I Paint the Riverside,” “January Halo”
Meridian: “Carry On”
New South: “Meet Me in the Mind’s Eye”
North American Review: “Old Neighborhoods”
Ocean State Review: “Bygone”
Painted Bride Quarterly: “Finding Home”
Permafrost: “Self-Portrait in Chicago Landscape”
phoebe: “Georgia O’Keeffe Makes a Life for Herself”
The Pinch: “Elegy with an Excess of Splendor”
Pittsburgh Poetry Review: “Tippi Hedren Survives the Flood”
Poet Lore: “Elegy with Photograph of a Greenhouse”
Poetry Daily: “Twice in Two Days: Neptune, Ohio” (reprinted)
Portland Review: “Family and a Few Close Friends Won’t Think Much of It”
Quarterly West: “For Ann Hodges, History’s Only Known Meteorite Victim”
Quiddity: “Survive”
Rogue Agent: “On Staying a While”
Salamander: “Against Cultivar”
Sonora Review: “Photograph, The United States of America”
Spillway: “Lake Effect”
Spry Literary Journal: “The Stranger, the Sojourner Passes By”
Sugar House Review: “Elegy with Housing Projects”
Third Coast: “Baptism”
Tupelo Quarterly: “Love Poems to Accompany the Photographer’s Posthumous Exhibit,” “Winter Road”
Virginia Quarterly Review: “Limitation,” “Window Blind,” “Grocery List,” “Twice in Two Days: Neptune, Ohio”
Washington Square: “Poem Ending with Words from Felix Salten”
Western Humanities Review: “July Night,” “Incantation Under a Streetlight”
Witness: “Upon Returning to Michigan’s Upper Peninsula”
Yalobusha Review: “Manacled”
Yemassee: “Elegy with Trees” (digital edition), “Midwestern Triptych, 1997”
Zone 3: “Self-Portrait as Dorothy Gale Returned and Living Out Her Days”
“Frida Kahlo Takes a Muse in Detroit” was reprinted in Best New Poets 2016, edited by Mary Szybist.
“A Crossing at the Rio Grande” was reprinted in Lake Michigan Writing Project Anthology, 2017.
“The Grand” was reprinted in Poets to Come, Whitman’s 200th Birthday Anthology.